Full frame cameras. Full-frame Nikon: list, model range, technical characteristics, operating features

A bad soldier is one who does not dream of becoming a general. This truth was written down many years ago and does not lose its relevance today. But among photographers there is a slightly different expression: “It’s impossible not to want a full frame.” But at the same time, the cost of a full frame did not allow every second person to buy such a carcass. In the camps of both Canonists and Nikonists, such cameras were intended for more professional use or for advanced enthusiasts, while it should be borne in mind that professional tools simply cannot be cheap.

It’s scary to imagine how much time in total is spent in the world dreaming about a 36x24 frame.

There were terrible legends about the full frame. It was rumored that anyone who picks up such a camera simply won’t be able to shoot with anything else, that there is a “Masterpiece” button, and every third photo taken with a full frame will be bought and printed by magazines such as National Geographics, Playboy and Esquire. Many even simply went to stores and held such carcasses in their hands in order to be imbued with the holy spirit of real creativity.

But now camera manufacturers are breaking all boundaries and are starting to produce cameras that you will not only want, but can afford. And one of these is Nikon D610.

Nikon D610 video review:

Design and ergonomics

Externally, the device most closely resembles the Nikon D600. Same controls, same ports. Go and check out his review.

I was very lazy to describe all this, but the evil editor-in-chief said: “Work!” So you have to work.

The base of the case is magnesium alloy, which protects the camera from external negative influences. A small amount of plastic is still present and can be seen on the front of the device. But at the same time, the solidity was not affected in any way - the carcass feels strong. It has dust and moisture protection, although its level is, of course, inferior to that of the D4 master, but you can shoot in light rain or snow without worrying. Even in ten-degree frost, all functions worked adequately for me, however, for this you need to prepare the camera in such a way.

The case fits into your hand like a glove, does not slip and does not tend to fall out. On the front side there is a battery handle with a functional wheel for more comfortable grip and control, a canonical red stripe, and two functional buttons. One has a function for changing the frame format - switching between FX and DX. This is very convenient when you need to bring your subject closer, but the zoom is not enough. Or for a more convenient compositional frame. On the second one, I personally installed an aperture repeater in order to quickly and conveniently assess the depth of field.

In the center there is a metal mount, and on the other side there is a lens release button, a lever for switching between automatic and manual focusing and a button for changing autofocus modes. Above, on the protruding prism block, there are keys for bracketing and opening the built-in flash. This is undoubtedly a plus, because all models of this class usually do not have a flash. Manufacturers believe that people using such a camera will use external lighting sources. This is partly true, but sometimes the built-in puff saves the day.

On the left side, under rubber plugs, there are connectors for connecting external accessories - Mini USB, HDMI, a port for a GPS module, and a remote control. There are also connectors for an external microphone and headphones, so it’s now much easier to control the quality of sound recording.

The right side still houses two SD card slots under a plastic cover. This solution will allow you to use twice as much memory and forget about worries about lack of space.

The bottom edge is occupied by the battery compartment and tripod socket.

At the top end everything is familiar. On the left are two wheels for switching modes, which are locked with buttons to protect against accidental rotations, while the lower one is responsible for selecting the shooting speed, mirror pre-raise, quiet mode, and the upper one is for selecting PASM, user saved modes and auto.

On the right is a monochrome display for displaying information, a shutter button with a three-position on/off/backlight lever, video recording, exposure compensation and focus area selection keys. It is worth noting that to control the functions you need not only to press them, but also to hold them while turning the wheel.

In the center above the bayonet mount is a hot shoe and a hidden built-in flash.

The rear edge is given over to a non-rotating 3.2-inch VGA display. Viewing angles and color rendition evoke genuine delight and a desire to view pictures right at the shooting location.

To the left of the display are five buttons: menu, color correction, setup information, zoom in and out. Almost all buttons have two functions. Thus, setting information can change the white balance, and zooming can change the image quality and ISO.

To the right of the screen is an info button, Live View mode framed by a video or photo selection lever, a four-way joystick, an OK button, and a focus point lock lever. Above the screen there is a viewfinder with a proximity sensor and diopter adjustment, to the left of it is gallery viewing and deletion. On the right is AE-L/AF-L and the second mode dial.

What's under the hood

Behind the mirror is a 24 MP sensor measuring 36 x 24 mm. Classic narrow film format in digital form. The Expeed 3 processor is responsible for correct operation. This is absolutely enough to ensure the highest speed of operation and forget about any slowdowns or speed problems.

The photosensitivity range is from 100 to 6400 units, and in extended mode the range from 50 to 25600 ISO becomes available. At the same time, the matrix makes little noise - values ​​up to 6400 can be considered working. If you shoot in RAW with subsequent competent development, then 12800 is quite usable not only for the web, but also for printing in small sizes. Falling parts and colored noise cease to be noticeable even from a distance of one meter.

For printing from a device in A4 format, oddly enough, almost all values ​​are suitable. Up to 6400 ISO, you can get high-quality prints even from Jpeg, but after that you still have to switch to RAW. 12800, after proper development, still shows some colored noise, but at arm's length, and even more so on the wall, it is difficult to see. But 25600 is not worth printing even from RAW larger than A5. Here you can already see the loss of detail on small textures and noise creeping in.

The rate of fire of the device is high – 6 fps in full resolution in RAW. The buffer is enough for a series of 15 frames, then the camera will shoot endlessly with a frame rate of almost 1 fps. With JPEG you practically don’t have to worry about the buffer – more than 30 frames will be enough in 99% of cases. Measurements were made with a fast memory card (review). With slower cards, the results may differ for the worse.

There is also quiet shooting at 3 fps. True, the volume here is an exclusively comparative parameter, but you will clearly attract much less attention.

The dynamic range deserves special praise - lights and shadows are processed correctly and correctly, but if the need arises, you can safely enable the D-Lighting or HDR extension. High Dynamic Range does not work with RAW or even in RAW+JPEG mode. To activate it, you will always have to switch to JPEG.

Autofocus

The autofocus system is inherited from the D7000. And I must say that she is cool. These are 39 points, of which 9 are cross points. But there is also a minus - the main array is concentrated in the central part of the frame. This means that aiming at the extreme point will be somewhat problematic, as well as aiming at the shallow one in the center of the frame. Personally, this was no problem for me - I focused, locked, moved the camera a little and got a good result. In general, the automatic focusing system works very correctly - quickly, tenaciously, accurately.

These definitely include the Time Lapse Motion shooting function, or time-lapse video, as you please. If earlier, to obtain such an effect it was necessary to spend a lot of time and effort, now we simply select the required item, interval and shooting time in the menu. Click “OK” – and we get the finished video in *.mov format. Everything else is not something supernatural - expanding the dynamic range, bracketing. That's all, we saw this in previous models.

Video capabilities

They are at their best here. FullHD up to 30 fps, high bitrate, flexible sound settings, microphone and headphone connections. But here, as almost everywhere else with Nikon, a minor and annoying bug appears. Well, why the hell am I, buying a carcass for two grand bucks, but I can’t change the aperture value when shooting video in Live View mode? At the same time, there are no problems with this in the older D800. I'm simply shocked that the company that was the first in the world to implement video recording in DSLRs behaves like this.

Nikon D610 vs. Nikon D600

  • 6 fps versus 5.5 fps;
  • the new model now features quiet continuous shooting;
  • Fixed some bugs with color correction and white balance;
  • From now on, in new models there are no problems with the shutter/mirror unit and no oil stains on the matrix. And in the predecessor this sometimes happened.

Fine

  • excellent low noise sensor;
  • Wide dynamic range in standard mode;
  • bright and rich display;
  • good level of video quality;
  • variety of ports;
  • dust and moisture protection;
  • adequate work in low temperature conditions;
  • fast and tenacious focusing;
  • viewfinder with 100% field coverage;
  • availability of time-lapse photography;
  • many functions for correcting lens defects;
  • slot for two SD memory cards.

Badly

  • minimum shutter speed 1/4000;
  • crowding of dots in the central part of the frame;
  • IT IS IMPOSSIBLE TO CHANGE THE APERTURE IN Live View MODE;
  • not the fastest autofocus in live sighting mode;
  • absence of a histogram on the display when viewing via the display.

Which glass to take

It is worth saying that to unlock the full potential of the matrix installed inside the carcass, it is worth planning to purchase good and bright optics. At the same time, in conditions of limited finances, you can easily get by with primes - for example, Nikkor AF-S 50mm F1.8G.

In full frame conditions, this will be exactly the right fifty-kopeck, universal lens. It’s not for nothing that all film cameras were equipped with just such fixes - they can shoot almost all subjects: from architecture and genre, to portraits and landscapes. And the high aperture allows you to shoot even in poor lighting conditions. At the same time, the photographer will always have the opportunity to switch to DX mode and get 75 mm for shooting large portraits.

If there are no funds at all, then fifty dollars will be enough for the first time. His review.

If you have extra funds, you can take it. Its cost is approximately $400, but the aperture is two-thirds higher.

Nikkor AF-S 85mm F1.8G will be a good choice for those who like to shoot portraits. It's compact enough to carry your camera around every day, does a great job of blurring backgrounds, and produces a soft, beautiful image. But its cost is about 500 conventional units. There is also a version with F1.4 aperture, but whether it’s worth overpaying, decide for yourself, based on the tasks at hand.

Nikkor AF-S 28mm F1.8G is the same glass that is suitable for shooting architecture or landscapes. Wide angle, beautiful pattern, low level of distortion for $700 is a good choice.

You can also look at the expensive one - one of the best wide-angles ever created. . Let it be darker, but it will give a better picture. But considering the $2,000 price tag, it's worth thinking twice about whether you need it.

- This is a standard fast lens for every day. Sharp, fast, beautiful, heavy, it will allow you to shoot all kinds of scenes, getting good results. It costs a lot - 1600 bucks. .

Nikkor AF-S 70-200mm F2.8G VR II is a light telezoom for reporters. The built-in stub minimizes smears, there are practically no defects observed, and the price of 2100 conventional units makes you lick your lips. But keep in mind that it’s worth buying such a huge thing for professional work - when I came to the club with it, I was asked to confirm my journalist’s accreditation.

Alternative

In fact, the only alternative and competitor. The price category is about the same, and even a little cheaper. Its cost now in the vastness of Ukraine starts at $1,500. The carcass is lighter and smaller, the sensor loses slightly in detail nominally. In real conditions, you are unlikely to feel the difference. A matrix from a competitor will make a little less noise in the dark and have the same excellent DD and color rendition. The rate of fire is slightly lower - 4.5 fps versus 6. On board there are only 11 AF points with one cross-shaped one. But the dots are located more evenly across the frame. The viewfinder loses - only 97% coverage.

Also, the Canon 6D has one memory card slot and no built-in flash. But there are Wi-Fi and GPS modules.

You can, of course, take the Nikon D600 - it will cost a little cheaper - about 1600 US dollars. But at the same time, you doom yourself to torment over oil on the matrix and damage to the mirror/shutter. And considering the $100 difference with the next generation, I don't think it's worth it.

Summary

I am sure that the Nikon D610, despite a number of small disadvantages, will easily win the love of many photographers. This is the most compact and most affordable full-frame DSLR from manufacturers, which brings to life the best practices: excellent detail, low noise, wide dynamic range.

And, if you belong to the cohort of Nikonists and can afford such a device, take it. You are unlikely to be disappointed. The camera will allow you to complete the entire range of assigned tasks quickly and efficiently. And considering that the price tag for it now starts at $1,700 on the Ukrainian Internet, this is an excellent upgrade of equipment. Although, if you have a Nikon D600, then it’s definitely not worth upgrading.

And yes, I hope that the elastic bands will not come off after six months of active use. Otherwise, this is another minus in the manufacturer’s karma.

Gallery of pictures

(move your mouse cursor to the upper right corner to view in full screen mode)

As a rule, people come to full frame consciously, after many years of practice and passion for photography. They choose Nikon or Canon and remain faithful to the system, acquiring optics and additional accessories. And if full frame used to be the territory of pros, for whom having a camera with a full-frame sensor was critical for work, today such cameras have become more widespread. They have simply become cheaper and more compact.

By and large, a full-frame sensor has one advantage over smaller sensors - more high quality Pictures. Naturally, this parameter consists of several components, first of all, higher detail and wide dynamic range, and they directly depend on the physical dimensions of the sensor.

Skeleton of a typical full-frame DSLR

In addition, the larger sensor performs better in low-light shooting. And here it’s not only about the wide dynamic range, but also about the low noise level. The top lines of the DxO Mark rating have long been occupied by full-frame cameras, and devices based on Sony matrices predominate among them.

A full frame is necessary for high-quality night photography and, in particular, for recording night TimeLapse videos. You've seen videos of the Milky Way and the Northern Lights, haven't you? All this was filmed with full frame cameras.

How about some beautiful bokeh? It’s also easier to achieve by shooting with a camera with a full-frame sensor. Although in this case the role of optics should not be underestimated.

Comparison of sizes of all existing matrix formats

For a long time, full-frame cameras were too large and there was a stereotype in the minds of consumers that a full frame was too bulky and heavy. Although this could have been refuted even before Sony introduced the Cyber-shot RX1 and full-frame cameras with an E mount to the world, the digital Leicas were quite compact. They remain one of the most compact full frames today. However, Leica is a completely different matter. What, besides Leica, is rich in the current full-frame camera market?

Canon EOS 6D

The Canon EOS 6D was one of the first affordable full frames, along with the Nikon D600. The camera was presented in the fall of 2012 and there are no rumors about its replacement yet. This is a full-frame DSLR in the classical sense of the word, and in terms of its capabilities it is slightly lower than the Canon 5D Mark III. Some of the characteristics are artificially lowered for clearer positioning. This is especially true for the burst rate, available shutter speed range and autofocus system.

It is based on a 20-megapixel full-frame sensor and a dual DIGIC 5+ processor, which was also used in higher-level flagships. All the contents are enclosed in a weatherproof magnesium alloy case. The pentaprism viewfinder provides 97 percent frame coverage and 0.71x magnification. The burst rate is a modest 4.5 frames per second, the shutter operates at shutter speeds up to 1/4000 s, there is no built-in flash, but an even more significant drawback is weak autofocus. Phase detection autofocus operates at 11 points in the central part of the frame, of which only one central one is cross-shaped. The camera can process RAW files, as well as correct vignetting and chromatic aberrations of compatible optics. Video shooting is available in Full HD resolution with a frequency of 30, 25 or 24 full frames per second, and to record high-quality sound you will have to purchase an external stereo microphone.

The key difference between the Canon EOS 6D and its competitors is the presence of built-in GPS and Wi-Fi modules. The first allows you to add information about the coordinates of the shooting point to your images and even record the route you have taken. Mobile app EOS Remote supports photo copying, remote control camera and remote shooting, as well as uploading material to social networks - a standard set of wireless functions. The battery is designed to shoot 1000 frames, and increase the time battery life The optional battery grip will help.

Canon EOS-1D C and Canon EOS-1D X

The Canon EOS-1D X is a top-end professional-grade DSLR, while its later modification, the Canon EOS-1D C, is aimed at professional 4K video shooting and costs almost three times as much. The basis of the original Canon EOS-1D X is an 18-megapixel CMOS sensor, the pixels of which are made using slotless technology, as well as a dual DIGIC 5+ processor. The limit of photosensitivity here is an ultra-high value of ISO 204,800. The magnesium body of the camera is protected from moisture and dust.

The EOS-1DX was the first camera with dual joystick controls for landscape and portrait orientation, as well as the first DSLR to support Ethernet connections. The camera also features an advanced 61-point phase detection system and 14 frames per second continuous shooting, making it a great choice for professional reporters. The main emphasis here is on ergonomics and speed. In addition, the camera is equipped with two slots for CF memory cards. Video recording is available in 1920x1080 resolution at 30, 25 and 24 frames per second, and the full 60 fps is recorded only in 1280x720 resolution. The Canon EOS-1D X is compatible with accessories such as an external Wi-Fi module, a stereo microphone or a remote shutter.

Canon EOS-1D C is a much more specific and more expensive product. People who are looking for a device of this class are unlikely to read our review now. Nevertheless, a few words are worth saying about him. Its technical equipment is almost the same as that of the EOS-1D X, except for the sensor optimized for 4K video recording. Video modes here are noticeably more diverse. For example, Full HD video is recorded at a maximum frequency of 60 full frames per second. Log Gamma can be used to record video, and the uncompressed video stream can be streamed via the HDMI port to an external receiver. However, the 4K mode here is more of a marketing gimmick, since the frame rate for such video is only 24 frames per second, and the stream is compressed using the Motion JPEG codec.

Canon EOS 5D Mark III

The Canon EOS 5D Mark III has become a long-awaited gift for professional photographers, even more in demand than the EOS-1D X described above. Let us recall that at one time the EOS 5D Mark II became the first full-frame camera with support for Full HD video recording. The Canon EOS 5D Mark III is housed in a dust- and moisture-resistant magnesium alloy body, and the design of the shell can be called conservative and established.

The camera features support for two types of memory cards - CF and SD, which can work in pairs. The “Five” is equipped with a 22-megapixel full-frame sensor and DIGIC 5+ processor, as well as a 61-point phase detection autofocus system with 41 cross-type sensors with object tracking function. The camera, however, has only a mono mixer, lacks an autofocus illuminator and a built-in flash - you have to put up with this.

Automation allows you to shoot series in full resolution at a frequency of 6 frames per second, set any shutter speed up to 1/8000 s, shoot with multiple exposures, stitch together HDR images and record time lapse videos. It also provides tools for in-camera RAW processing, shooting full-size photos during video recording, and a lot of fine-tuning settings for professionals. Video recording, however, does not fit into modern requirements and standards. The frame rate is 30 when shooting in Full HD with ALL-I or IPB compression. The lack of full-fledged continuous autofocus and the ability to output an uncompressed video stream via HDMI are also disappointing. The direct competitor Nikon D800 looks more maneuverable in this regard.

Well, there’s no point in talking about the affordable collection of full-frame optics and accessories - the choice is huge. The camera is compatible with a battery grip and external Wi-Fi transmitter, triggers and external flashes, as well as underwater housings. The standard battery is designed for 900 shutter clicks.

Nikon Df

Nikon Df stands out among its peers primarily for its vintage design. Without exaggeration, this is the most beautiful full-frame DSLR to date. Created for fans of “analogue” sensations, the camera at the same time offers serious technical stuffing. It is housed in a magnesium alloy body with plastic inserts and is the most compact DSLR camera with a full frame sensor, and is also weatherproof.

Among the ergonomic features, it is worth highlighting a very small handle, a four-position mode selector, a tiny auxiliary monochrome display, one memory card slot and the absence of a built-in flash.

The main pride of the Nikon Df is the 16-megapixel sensor, inherited from the Nikon D4, as well as the EXPEED 3 processor. The camera is compatible with both full-frame optics and one-and-a-half crop lenses in DX mode.

Nikon positions the camera as a tool for the aesthete photographer, the old-school professional, and artificially limits the camera to only the ability to take photos. There are no plot programs or other tricks for beginners here. But there are multiple exposures, time-lapse photography, HDR and Active D-Lighting functions. The phase focusing system operates at 39 points, and the continuous shooting rate is 5.5 frames per second. The camera does not have built-in Wi-Fi. But this problem can be solved by purchasing an external transmitter WU-1a.

Nikon D610

Strictly speaking, the first relatively affordable full-frame DSLR was the Nikon D600. However, very soon, due to a problem with the shutter and sensor, a replacement was required in the form of the D610. Nikon D610 is in the same class as Canon EOS 6D. The mirror is protected from moisture and dust, housed in a magnesium alloy body with a polycarbonate front panel. The camera has a number of advantages over its closest competitor: 39-point phase detection autofocus, a built-in flash, and even two slots for SD cards.

The full frame is equipped with a 24-megapixel sensor manufactured by Sony and can operate in one-and-a-half crop (DX) mode when paired with appropriate optics. The camera mount has a special mechanism for controlling the aperture on older Nikon manual lenses. A new shutter was specially developed for the Nikon D610, eliminating the annoying problem of oil splashing. The shutter operates at shutter speeds from 1/4000 s to 30 s, and the burst rate is 6 frames per second with active autofocus. The video modes here are the same as those of its closest competitor. The maximum resolution of the videos is 1920x1080, and the frame rate is selected from a range of 30p, 25p or 24p. The lack of built-in Wi-Fi and sync contact, as well as a monaural microphone, can be considered disadvantages of this model. At the same time, Nikon D610 can be “pumped up” using a battery grip, an external stereo microphone, Wi-Fi and GPS modules, and, of course, an external flash.

Nikon D800 and Nikon D800E

The Nikon D800 and its more expensive modification with a sensor without an AA filter have become a kind of counterbalance to the competitor Canon EOS 5D Mark III, but the emphasis here is shifted to landscape studio photography. The cameras have full-frame sensors with an impressive 36 megapixel resolution, and the main focus is on image detail and advanced video shooting. Like most Nikon DSLRs, the camera can also shoot in one-and-a-half crop mode, which is indispensable when using DX optics. In this case, the resolution drops to 15 megapixels. The burst shooting rate with such a high matrix resolution was 4 frames per second, and video recording is possible at 30, 25 and 24 frames per second in Full HD.

The Multi-CAM 3500FX focusing system is directly copied from the flagship Nikon D4 and has 51 phase detection autofocus points. Unlike the EOS 5D Mark III, Nikon offers an AF assist lamp and uncompressed video output via HDMI. The shutter operates at shutter speeds up to 1/8000 s, and flash synchronization is possible at shutter speeds up to 1/250 s. The minimum shutter lifespan is 200,000 clicks. It is also worth noting support for the USB 3.0 standard, a built-in flash, a headphone jack and the presence of two slots for memory cards - CF and SD. Both cameras come with 1900 mAh batteries, which are good for about 750 shots, but also have the ability to dock a battery grip.

Nikon D4 and Nikon D4s

At the beginning of 2012, the Nikon D4 replaced the Nikon D3 as the flagship, although Japanese manufacturers usually avoid the “four” in their names. The professional Nikon D4 has a 16.2-megapixel full frame CMOS sensor, thereby offering a golden mean between high resolution images and their quality at higher ISO values. Subsequently, the same successful sensor was used to create the Nikon Df.

The “brain” of the camera was the EXPEED 3 processor, which was later also used in the development of Nikon 1 mirrorless models. A special 51-point sensor is allocated for focusing, and the burst rate is 10 frames per second with active autofocus. Nikon D4 became the second camera after Canon EOS 1D X, which acquired an Ethernet controller and a corresponding connector. It is also the first and still only camera to support the new XQD memory card format. At the same time, the camera is equipped with two slots at once - for XQD and CF cards.

In the modern world, cameras are gaining more and more popularity. Photography is a new art that everyone can do. With the help of photographs, we convey emotions, feelings, and record the history of our lives, as well as the world around us. Most people take photographs for themselves, simply to capture something important. But there are also real professionals in creating photographs, they live their photographs, and in order to convey the mood as much as possible, they wait for hours for the right moment, go on special trips, chasing a sensual and emotional photo. Millions of websites are being created with photography as their main theme. People convey their experiences in this way.

Thanks to its simplicity, this art form has deeply ingrained itself in the hearts of many. And progress does not stand still, and people come up with new things, improve cameras, making the picture better and more natural. Nowadays, full-frame cameras are gaining popularity, which provide good detail and show excellent quality and color gamut.

Briefly about devices

The name of the cameras comes from the phrase “full frame”. The full frame is the size of the photosensitive matrix responsible for the quality of the image. The larger the matrix, the better the picture quality, the less noise there will be in the absence of light. Cameras most often use a half-format size, that is, an APS-C 23x15 mm matrix. APS-C is a generally accepted designation for matrices with a crop factor (reduced size). For full-frame cameras, it matches the dimensions of a 35mm film camera (35x24mm). Pictures taken with a full-frame camera are 1.5 times larger than with a camera with a half-format sensor.

What is the popularity?

Film cameras appeared in the 19th century, but why are full-frame devices only now gaining popularity? The fact is that when active production of digital cameras began, smaller matrices were most often used due to the too high cost of full-frame sensors. Now such matrices have become more accessible, so the demand for them is growing.

Are such cameras really necessary?

Although full-frame photographic equipment has become quite accessible and cheap compared to previous decades, many large companies still prefer cameras with a trimmed matrix, simply improving and improving them. This begs the question: “Since it’s more popular, does it make sense to buy full-frame equipment?”

First, you need to figure out why you need a camera at all. Most often, people buy cameras in order to leave a memory of some significant event in their life, for example, a holiday or a pleasant trip. It is clear that in the family archive or in social networks no one will look at the dimensions of the matrix of the camera on which the photo was taken. If you use the camera only for yourself, then there is no need to spend money, the main thing is to remember that in photography it is not only the quality that is valued, but also the composition and the meaning inherent in it.

What about those who make a living from photography? This is the same profession where you need to improve your skills and improve yourself, work on the quality of your work, the depth of color. In fact, many manufacturers have managed to create full-frame models with a resolution of more than 16 megapixels, while the quality remains high even at ISO 1600.

Narrow depth of field (depth of field) has always been a hallmark of full-frame technology, with which you can create a bokeh effect, but now, using lenses with ultra-high aperture 1.2, you can achieve the same picture.

However, full-frame cameras are much more expensive than full-frame cameras, and they are also heavier and take up more space.

A person who is not a professional will not notice the difference between cameras with a crop factor and full-frame ones, therefore, whether to buy full-frame cameras is up to you to decide, after weighing all the pros and cons. Retro lovers appreciated this initiative, as film technology became a staple for many.

Pros and cons of full frame cameras

As mentioned in the previous paragraph, modern half-format cameras can easily compete with full-frame ones in terms of image quality, size and price. What are the positive aspects of full-frame photographic equipment?

  • The size and light sensitivity of the matrix help create images of very high quality and with good detail.
  • Works with a low noise level, which is good for photographers who, for example, photograph rare animals.
  • The presence of burst shooting allows you to capture natural movement.
  • With fast autofocus, you can quickly switch from subject to subject, which will prevent the photo from being blurred.

Of course, full-frame cameras also have disadvantages:

  • Dimensions of cameras. The weight and dimensions do not always make it easy to carry equipment, and without a tripod, your hands get tired quite quickly.
  • Slow shooting speed. Despite fast autofocus and continuous shooting, you still won't be able to instantly capture the moment.
  • Cost of cameras and additional equipment.
  • Careful approach to technology and selection of optics. Many full frame cameras will not accept lenses from other brands.

As we can see, the number of pros and cons of full-frame technology coincides. This means that everyone is free to choose for themselves, based on their tastes and preferences.

Nikon company

The history of the company began in 1917 in the Japanese city of Tokyo. Since then, Nikon has been one of the leaders in the production of optics and various photographic equipment.

This manufacturer makes cameras for different tastes: there are budget, amateur and professional cameras. Since Nikon is responsible for the quality of its products, even the cheapest cameras up to two thousand rubles have good content for their money. As for very expensive equipment, the price of professional cameras, for example, varies between 200 - 400 thousand rubles. Interestingly, Nikon produces not only equipment for photography and video recording, but also microscopes and other devices needed in medicine.

Nikon's main competitor has always been and will be Canon; they often share first place in ratings of the best cameras. Both companies are located in Japan and have a similar look and build.

What are the features of Nikon? This manufacturer pays great attention to low-light shooting quality. Another advantage is the large sensor size, making high-quality photos with a small number of pixels. The company also adds small details that make the job much easier. Nikon, even in its most basic and cheap models, has good autofocus, many modes, and an HDR effect (which not all cameras have, even Canon).

Everyone chooses a camera according to their taste, and Nikon is one of those companies that has millions of fans around the world. Among its products you can choose a good camera that will be convenient and easy to use.

Features of Nikon full-frame cameras

Nikon was one of the first to produce full-frame cameras. And many photographic equipment users prefer this particular manufacturer. How does full-frame Nikon differ from its counterparts from other brands? Let's try to figure it out.

Firstly, since the company already has experience in creating such equipment, the quality of the Nikon full-frame camera is highly valued in the market. Such a device will delight you with long-term operation. Not many manufacturers can compete with Nikon in terms of performance. Full-frame cameras from their production are distinguished by high resolution of more than 35 megapixels, striking in their detail. And this is very important for amateur photographers.

Secondly, the full-frame Nikon has a lower price compared to Sony and Canon, which cost at least 150 thousand rubles. As for Nikon cameras, professional devices can be found in up to 90 thousand.

In the end, cameras from this company are very affordable. Full-frame Nikon can be found in many popular stores; you don’t have to constantly look for cameras on various sites, repurchasing already used products.

List

When choosing a Nikon camera, it is worth remembering that this company has its own designations. How to determine which Nikon is full frame? Let's illustrate with an example. FX is a full-frame Nikon, and DX has a matrix size of 23.6x15.7 mm.

So, below is a list of full-frame Nikon cameras in terms of price and quality.

Full-frame cameras have always been the preserve of professionals, but with increasing competition, more affordable products have appeared on the market. This doesn't mean they are completely cheap. You can buy a previous generation professional full-frame camera or purchase a new device for the same money, sacrificing some functions and characteristics.

To help you make your choice, we have collected 10 Cheapest Full Frame Cameras on the Market.

If you want to switch from crop to more professional devices, then this list will help you make the right choice.

1 Canon EOS 6D

This is an older camera, but it still offers an excellent set of features and high image quality.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 20.2MP
  • Lens mount: Canon EF
  • Screen: 3-inch fixed, 1,040,000 dots
  • Viewfinder: Optic
  • 5fps
  • 1080p
  • Price: 88 thousand rub/body

The camera has excellent autofocus, which maintains its sensitivity even in low light. The sensor boasts excellent image quality, with few autofocus points. There are only 11 of them, but this is enough for most types of shooting. Also, the camera does not boast a rich set of video recording functions.

At the time of its release, the Canon EOS 6D was the world's lightest DSLR camera with a full-frame sensor. Even though it's over five years old, it's still a tempting spot for landscape photographers and travelers. The EOS 6D's 11-point AF system includes only one cross-type sensor. It is simpler than the Nikon D610's 39-point system. The 20.2MP sensor also suffers from complaints, since in 2017 this resolution is not enough. However, the EOS 6D has a lot of positive qualities and if you don't usually print your images large or do a lot of cropping, the camera will satisfy most requirements. The EOS 6D has built-in Wi-Fi and GPS, and also boasts a highly sensitive focusing system

2 Canon EOS 6D Mark II

More new model The Canon EOS 6D Mark II has a more sophisticated autofocus system and a touch display.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 26.2MP
  • Lens mount: Canon EF
  • Screen: 3-inch vari-angle, 1,040,000 dot touch
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 125 thousand rub/body

The autofocus system has become more modern. The rotating touchscreen makes it easy to use, but the camera doesn't have modern 4K video resolution. Also, the camera does not boast a high dynamic range.

Coming five years after the original Canon EOS 6D, a new version The EOS 6D Mark II has received significant upgrades over the old model. The sensor resolution has increased significantly. It is now 26.2MP instead of 20.2MP. Canon's DIGIC 7 processor helped with the higher resolution. The rotating touch display will be convenient for video shooting. The camera also offers 5-axis digital stabilization for video shooting, but only at resolutions up to Full HD. There is no 4K in the camera. The autofocus system has also been improved. It now has 45 cross-type dots, 27 of which are sensitive at F/8. The system is sensitive down to -3EV. Also an added bonus is Dual Pixel focusing, which is capable of incredible speeds in Live View and video shooting. It's a great camera, but the EOS 6D Mark II doesn't have the best dynamic range compared to similar competitors.

3 Nikon D610

An affordable full frame camera with great performance.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 24.3MP
  • Lens mount: Nikon F
  • Screen: 2-inch, fixed, 921000 points
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 6fps
  • Maximum video resolution: 1080p
  • Price: 89 thousand rub/body

The dual SD card slot and weather sealing are a definite plus, but the AF points are too close to the center. Also, the camera does not have built-in wireless technology.

Finding differences between Nikon D610 and Nikon D600 will not be easy. Introduced a year after the 600 model, the new D610 is almost identical to its predecessor. The continuous shooting speed has increased from 5.5fps to 6fps. A silent shooting mode at a speed of 3 frames per second has also appeared. The camera is quite attractive due to its excellent price-performance ratio. Inside there is an image sensor with a resolution of 24.3MP, which is closed in a waterproof case. The autofocus system has 39 points. Also attractive are the two SD card slots and the optical viewfinder, which covers 100% of the frame.

4 Nikon D750

Don't look at age. The D750 still offers good performance.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 24.3MP
  • Lens mount: Nikon F
  • Screen: 2-inch, oblique, 1,228,000 dots
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 130 thousand rub/body

The camera can offer a wide dynamic range and is easy to use thanks to its tilting touch screen. However, without 4K video, it does not meet the requirements of modern videographers. Live View mode is very slow.

The D750 is sandwiched between the more affordable D610 and the professional D810/D850 in Nikon's range of full-frame cameras. This is a mid-level DSLR. It borrows characteristics from both cheaper and more expensive products. The camera received a maximum shutter speed of 1/4000 sec and a 24.3MP image sensor resolution from younger models, but the 51-point autofocus was carried over from the D810. The D750's tilting touchscreen display, coupled with FullHD video recording at 60 frames per second, and built-in Wi-Fi make this camera quite attractive.

5 Nikon D810

High resolution is becoming more accessible.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 36.3MP
  • Lens mount: Nikon F
  • Screen: 2-inch, fixed, 1,229,000 dots
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 189 thousand rub/body

The camera's lowest light sensitivity is ISO 64, which greatly reduces noise. However, the camera can hardly be classified as an affordable device, but for its characteristics its price is quite reasonable. Due to the resolution, file sizes are very large.

The more expensive Nikon D850 has already been introduced, but this makes the previous D810 model more affordable, although it will still cost you a pretty penny. The high resolution of 36.3MP in the D810 allows you to create the sharpest and most detailed images thanks to the absence of an anti-aliasing filter.

The EXPEED 4 image processor allows you to shoot at 5 frames per second at full resolution. The maximum video resolution is 1080p, and the base sensitivity of ISO 64 makes it possible to shoot with minimal noise. Files with such high resolution require a powerful computer to process.

6 Nikon Df

A compelling combination of style and substance.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 16.2MP
  • Lens mount: Nikon F
  • Screen: 3.2-inch, fixed, 921000 points
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: No
  • Price: 165 thousand rub/body

The sensor produces excellent results. The camera has a stylish retro design, but it doesn't offer video recording capabilities, and the 16.2MP resolution is a little behind modern requirements.

Compared to the colossal full-frame Canon 5DS/R resolutions of 50.6MP or 45.7MP in the Nikon D850, the Nikon Df's 16.2MP resolution seems puny. But this camera's sensor has its own story. It was used in the former flagship Nikon D4. Also, the relatively low pixel count means that the camera will be able to produce excellent results in the dark. However, what is most notable is the camera on the outside. It has a retro style design. The layout of the controls will please those who love the process of shooting as much as the end result.

Compared to Nikon's other FX DSLRs, the Df's price remains consistently high, especially considering the specs, but at least you can get some aesthetic pleasure out of the camera.

7 Sony A7

One of the best full-frame mirrorless cameras of its time has become available to a wider range of photographers.

  • Type: mirrorless camera
  • Sensor: Full frame
  • Permission: 24.3MP
  • Lens mount: Sony E
  • Screen:
  • Viewfinder: Electronic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 85 thousand rub/body

The camera is convenient in size. It's not too big. The image quality is also impressive. However, like most mirrorless cameras, the Sony A7 has a weak battery. Another disadvantage is the lack of video recording in 4K resolution.

Compared to huge DSLRs, the Sony A7 is very small and light. Obviously, once you attach a telephoto lens to the camera, the size and weight increase significantly, minimizing the A7's advantages. The Sony A7 was the first full-frame compact mirrorless camera on the market, and although it lacks some competitive advantages such as functionality touch screen and 4K video, the quality of RAW images captured by the 24.3MP Exmor CMOS sensor continues to amaze. The only real disappointment is the somewhat modest battery life; the A7's relatively low price allows you to stock up on spare batteries.

8 Sony A7 II

While the A7 II's hardware is similar to its predecessor, the image processing process has been refined, resulting in better results.

  • Type: mirrorless camera
  • Sensor: Full frame
  • Permission: 24.3MP
  • Lens mount: Sony E
  • Screen: 3-inch, oblique, 1,228,800 dots
  • Viewfinder: Electronic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 105 thousand rub/body

The advantage was 5-axis image stabilization based on image sensor shift. The image processing process has also been improved. Otherwise, the camera remains similar to the previous A7 model. Large optics still negate almost all the benefits of a small camera body.

9 Sony A7S

4K video heavyweight. The Sony A7S is a mirrorless camera for those who know what it can do and can take advantage of it.

  • Type: mirrorless camera
  • Sensor: Full frame
  • Permission: 12.2MP
  • Lens mount: Sony E
  • Screen: 3-inch, oblique, 921600 dots
  • Viewfinder: Electronic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 4K
  • Price: 120 thousand rub/body

Incredible low-light performance and the ability to shoot uncompressed 4K video with an external recorder are very good features. However, the camera has a very low resolution and cannot independently record 4K to a memory card.

The 12.2MP resolution may seem like a throwback, but the full-frame sensor inside the Sony A7S practically glows in the dark. The "S" stands for "sensitivity" and for good reason. The A7S has a native sensitivity range of ISO 100-102400, and keeping resolution low allows each pixel to be larger for improved light-gathering properties. This minimizes noise and produces exceptionally high-quality images. Progressive video recording settings offer the option of using a flat S-log2 color profile. There is an HDMI connector on the case, which can output video in 4K resolution to an external device. Only the A7S II camera has the ability to save 4K video to a memory card. If shooting photos and videos in low light is your priority, then the A7S is a good option. Otherwise, the A7 II, with its higher resolution and stabilization, wins.

10 Pentax K-1

Want to stand out from the crowd? The Pentax full-frame DSLR allows you to gain a new working experience.

  • Type: DSLR
  • Sensor: Full frame
  • Permission: 36.4MP
  • Lens mount: Pentax K
  • Screen: 2-inch, oblique, 1,037,000 dots
  • Viewfinder: Optic
  • Maximum continuous shooting speed: 5fps
  • Maximum video resolution: 1080p
  • Price: 135 thousand rub/body

The camera has built-in sensor-shift image stabilization. At the same time, the sluggish autofocus system and the lack of 4K video are disappointing.

Ricoh doesn't offer a wide selection of full-frame cameras, but the company knows how to make quality devices. The K-1 is a camera that stands out from the crowd with its 5-axis stabilization technology with 5 stops of shake compensation. There is also Pixel Shift, which will increase the resolution of images by shooting multiple frames with a sensor shift of 1 pixel. Also very interesting is the Astrotracer system, which uses GPS data to move the sensor following the movement of stars in the sky when shooting with long exposures to obtain the best sharpness. At 36.4MP resolution, the K-1 camera is similar to the Nikon D810. It also does not have an anti-aliasing filter. The Pentax K-1 offers excellent value for money, so if you want high full-frame sensor resolution, stabilization and excellent image quality, and are less concerned about autofocus speed, then the K-1 should be a great value proposition for you.

@talentonatural77

We've selected the 10 best full-frame DSLR cameras for 2018. Studio heavyweights optimal for enthusiasts and two cameras for photojournalists.

Despite the fact that mirrorless cameras are advancing, you shouldn’t write off DSLRs too soon. In this selection we included mid-range and top-end DSLR cameras.

1.Nikon D850

Nikon D850 is the company's flagship and, according to the editors, the best SLR camera on the market.

The 45.4 MP full-frame sensor delivers stunningly clear images with huge dynamic range and high operating ISO. Fast autofocus is provided by a 153-point system. Video recording available in 4K format with all necessary

Nikon's signature deep-grip, spill-resistant design and rotating touchscreen display provide incredible ease of use.


The 30.4 megapixel matrix and 61-point autofocus make this camera an excellent option for professionals. With this resolution, you can shoot footage of any genre and not suffer from a clogged disk.

The Canon EOS 5D Mark IV is one of the best DSLR cameras available today. Although it lost the top of the chart to the D850.

3.Nikon D810

Despite the release of the D850, this model is still a very powerful tool.

36.3 megapixel matrix, high detail, no AA filter, wide dynamic range and 1200 frames on one battery. The camera copes with scenes of any complexity thanks to the 51-point autofocus system from the reportage D4S.

It doesn't have a rotating display, Wi-Fi or 4K, but it remains an excellent studio and reportage camera with water resistance and high resolution.

4. Canon EOS 5DS

If you need to get maximum resolution, then you should choose the Canon 5DS with its 50.6 megapixel matrix. This is the highest resolution among DSLR cameras today.

Stunning detail, low noise and good dynamic range make this camera ideal for the studio and landscape photographer.

The other side of the coin is slowness, lack of Wi-Fi and 4k video, and, of course, huge files requiring huge memory cards and hard drives.

5.Nikon D750

The first four places were taken by very expensive cameras. In 4th place is the Nikon D750, the main advantage of which is its affordable price.

The camera is equipped with a 24.3-megapixel matrix, a 51-point autofocus system and a high operating ISO. Camera body with water and dust protection like the D810, tilting display and built-in Wi-Fi.

Nikon D750 is a harmonious and affordable full-frame SLR camera.

6. Sony Alpha A99 II


https://www.instagram.com/digitalrev/

Strictly speaking, the Sony A99 II is a pseudo-DSLR; it is equipped with a translucent mirror and an electronic viewfinder. But still, half of it is a DSLR and therefore ends up in our selection.

Autofocus when shooting at 12 fps, a 42.2-megapixel matrix with back illumination, a built-in stabilizer and ample shooting capabilities in 4k format.

The flagship and best DSLR for photojournalists. D5 is attached to lenses at the Olympics and various world championships.

Everything in the camera is subordinated to one goal - to take the desired frame. 20.8 megapixel matrix, shooting speed 12 frames per second, unprecedented maximum sensitivity ISO 3,280,000. 173-point autofocus system.

The ability to shoot video in 4k is limited to 3 minutes. But these are minor things.


https://www.instagram.com/digitalrev/

A photojournalist chooses a camera based on the system his news agency uses.

The Canon 1D X Mark II received a 20.2 megapixel sensor, 61 focus points and a shooting speed of 14 frames per second, which is more than the D5.

The camera does not boast a huge maximum ISO, here it is weaker than the D5, but nevertheless, in low light the camera produces high-quality images even at high values.

9. Canon EOS 6D Mark II


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The specifications of the 6D Mark II are quite simple. 26.2 MP sensor, 45 autofocus points, rotating touch display and excellent autofocus performance in Live View.

The disadvantages are weak dynamic range and autofocus with small frame coverage.

The company has done a lot of work on the 6D Mark II and has made a nice camera for enthusiasts who want to upgrade to a full frame camera.

10. Pentax K-1 mark II

This is a unique and controversial DSLR camera.

The Pentax K-1 mark II is equipped with a time-tested 36-megapixel sensor with good dynamic range, serious weather protection, built-in GPS, the ability to shoot handheld in Pixel Shift mode and a lot of functions not available on other cameras on the market.

However, it also has a lot of weak points. The shooting speed is limited to 4.4 frames per second, there is no 4k video recording, and the autofocus area does not cover the entire frame.

P.S.

All these models have mirrorless cameras breathing in their backs. At the moment, the market for full-frame mirrorless cameras is represented by the Sony A7R III and , which by their third iteration have become close to ideal. Plus the first reportage Sony A9. You won't see it in stadiums yet, but this is partly due to logistics.

Very soon, or more precisely on August 23, they will be joined by the first full-frame mirrorless Nikon Z, followed by the full-frame Canon. The timing of the announcement of the latter is not known, but reports are coming that Canon is trying its best to make it happen as soon as possible.

At the same time, do not forget mirrorless cameras with APS-C matrices. They become serious players. Especially Fujifilm with its X-H1 (read it, it's cool) and the future one, which we expect to see on.

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